Just How Hard To Learn Is Adobe Illustrator?

By Elliot Harris

People new to Adobe Illustrator often say that they find the program complex and hard work. When we hold Adobe Illustrator classes in London, we acknowledge the need to help delegates get rid of the belief that Illustrator is a difficult piece of software to use. We have found that there are three main aspects to showing users that Illustrator is no harder or more annoying than any other application.

The first thing is, we are always reminding new users of the ease with which you can change back your drawing to a state earlier than the point where it has gone wrong. Also, we constantly remind delegates that they must be on the right tool in order for a given operation is to work. As well as this, we give them an insight into the subtle and useful visual feedback provided by Illustrator as you create and manipulate elements within your drawing.

New users to Illustrator will often attempt to manipulate elements within their drawing without first activating the Selection tool. For example, they will create a shape with, say, the Ellipse tool and then, while the Ellipse tool is still active, they try to move or resize the shape they have just drawn or click on the page to attempt to deselect the shape. They then get puzzled and annoyed when little ellipses keep appearing in their drawing or Illustrator's shape dimension dialogue box keeps on appearing.

The key factor in avoiding these types of errors is to keep looking at the various signals that the program provides, in particular those signals relating to the cursor appearance. For example, if you are attempting to resize a rectangle, you can only do this when your cursor changes to a slanted line with an arrow at each end (This indicates that your cursor is now in the correct position).

Another thing that new users find is that they are unable to carry out a certain operation because it is not permissible under the current circumstances or at that point in time. For example, you want to resize an object and you end up rotating or moving it instead.

A simple way of avoiding this kind of problem is to keep an eye on the many visual clues that Illustrator gives you and, in particular, those that relate to the cursor. Let's take an example. Say you are attempting to change the size of a circle, you can only carry out this operation if your cursor has changed to a diagonal line with an arrow at both ends thus showing you that have positioned the cursor precisely over one of the resize handles.

If you a new user to a program like Illustrator, it is inevitable that you will make errors: things may go slightly wrong or even get completely messed up. The key thing here is to learn the Undo habit. For example, if you accidentally move an object don't try to manually put it back where it was, simply choose Edit - Undo or use the shortcut Control-Z (Command-Z on a Mac). If you Undo too far back, you can use the Redo command to come forward again. (The shortcut for Redo is Control-Shift-Z.)

If your effort to create a drawing has gone completely wrong, the best thing to do is to accept defeat and choose the Revert command from the File menu. This is a way of admitting "This just isn't working. I submit!" The Revert command abandons all of the modifications you have made to the document since it was last saved and can be another useful way of avoiding user headaches. - 32521

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Adobe Illustrator: Where Do I Start?

By Ben Phillips

Adobe Illustrator is 2D vector-based drawing program which has three primary functions. Firstly, it can be used to create graphics for print, such as logos, illustrations and diagrams. Secondly, it can help you build web graphics: buttons, icons; even entire web page designs. As well as drawing, Illustrator can also become a desktop publishing environment where you can create single page layouts such as posters, fliers, book jackets, DVD CD covers, etc.

We often find that delegates attending our Adobe Illustrator training courses have difficulty in getting to grips with the program, finding applications for it and incorporating it into their workflows. One of the main reasons for this is what we sometimes refer to as "Blank Canvas Syndrome". The thing is: at first glance, Adobe Illustrator often seems a lot less enticing and inviting than, say, Photoshop. To many new users, Photoshop is like a big city with bright lights and lots of exciting things to do and places to go. By contrast, Illustrator can seem like a wasteland; there's just nothing there when you create a new document; it's up to you to create everything from scratch.

As Illustrator trainers, we take on board the fact that running an Illustrator training course involves more than just tuition of the use to tools and techniques. To get delegates feeling enthusiastic about using the program, we also need to rid them of their fear of the stark blank canvas facing them every time they create a new file. We have identified four main techniques for ridding new users of "Blank Canvas Syndrome". Firstly, it is important to clearly identify the type of artwork you want Illustrator to create for you. Secondly, use Illustrator's Live Trace facility to create vector elements which can become a starting point for your own artwork. Thirdly, use background images as guides as you create your own drawings. And, fourthly, copy, reuse and modify elements that already exist within your own drawings.

Getting started with Illustrator becomes a lot easier once you have a clear idea of what type of artwork you need to produce. When often run courses for companies who will be using Illustrator in a very specific way, such as fashion companies, architects or cartographers. This type of training tends to be very successful because it's just a case of showing people which tools and techniques they need to use to create the necessary output.

For those users who are not using the program in a very pointed fashion, we always try to emphasise that creating Illustrator artwork doesn't have to mean originating every single stroke from scratch. We show users how they can use imported graphics as a starting point for their own artwork. For example, keeping scanned images on a background layer and drawing over them using the pen tool or converting bitmapped images into vectors with Illustrator's Live Trace utility.

Illustrator's Live Trace utility was developed from a standalone program called Adobe Streamline and is extremely powerful. It can be used to convert any scanned or bitmapped image into a vector. Naturally, the nature of the resulting vector image depends on the original. However, it's very fast and the results can be extremely impressive; so it's always worth trying it out if your feel that it may create something you can clean up and use.

Scanned or other images can also be placed on a background layer and used to provide constant points of reference when originating new Illustrator artwork. Background images can help to ensure that elements within the Illustrator artwork you create are of the correct dimensions have the correct relative proportions and so forth. For example, if you are drawing human figures, placing a photo of some people on a background layer can help to ensure that you don't end up creating figures with disproportionately large heads or long arms.

Another trick we always point out to delegates attending our Illustrator training courses is the ease with which you can create elements which are variations on existing elements within your drawing. Illustrator has powerful techniques for creating transformed copies of an object. It also allows you to place multiple strokes and fills on an object and to apply effects to each of them. Thus, for example if you need to create four concentric circles, you can just create one circle and give it four strokes, using the Offset Path command to position each of them.

The bottom line is that Illustrator's blank canvas doesn't have to stay blank for very long. You just need to formulate a clear idea of what you want to achieve with the program. Wherever possible, find images which you can either trace or use as reference points as you originate your own artwork. And, when creating new elements always ask yourself: "Can I base these new elements on items that already exist within the drawing?" If you use these simple techniques, then Blank Canvas Syndrome will never become a huge affliction for you. - 32521

About the Author:

Little Known Ways To Use Photoshop Editor Software

By Fred Astair

Is photography your passion but you just cannot whatever you do, seem to produce fantastic looking images? Do you want your nonprofessional seeming images to look like they taken by qualified photographers? If you said yes to any of these questions, then you will want to start using Adobe Photoshop. Firstly, you need to think back that the majority of professional photographers these days use this software program to manipulate the digital images they take. Don't forget that not every image they take is perfect and some will have the common mistakes in photography, for instance red-eye, thumb over the camera lens and even shaky hands.

Whatever it is, professional photographers are able to fix these slips by just using Adobe Photoshop and as a matter of fact, a few professional photographers even manipulate the images they take of professional models with it. If you study magazines, and you notice the near-perfect bodies of models with very smooth skin, then you've some idea of how professional photographers fake the images they take with Adobe Photoshop. For instance, if you capture images of somebody who has an ugly looking zit on their face, then you'll be able to make their face look clear by removing the zit and as a matter of fact, you can even use it to make someone overweight seem like a supermodel. Here are a few of the basic techniques of how you can get the images you take seem more expert.

The main problem is eliminating red eye from the images but you need to remember that even if you're using the most up-to-date SLR digital camera with red eye reduction, it'll still happen. Adobe Photoshop has a red eye reducing facility that'll discover and completely take away the appearance of red eye from the images you capture.

Secondly, you will be in a position to produce richer and sharper photos with more deep colors because Adobe Photoshop is meant to be a facility to help tidy an image as well as better its appearance. With the color improving, brightness and contrast facilities, you will be in a position to turn dark images in to something that looks as if it was taken in an ideal lighting condition. Essentially, the tool will allow you to manually correct the image's color arrangements that will result in the sharpest and freshest appearance of the image that is achievable.

Another fundamental adjusting feature of Adobe Photoshop is that it'll even allow you to take away uncalled-for objects in the images you've already taken. For example, if an apparently perfect photo was just spoilt by a trash can in the background, you can easily remove the trash barrel and exchange it with something else as if the trash can wasn't there when you took the image. You are even able to remove individuals from the photos you take and even substitute the background.

Obviously, these are but a few of the fantastic things that you are able to do with Adobe Photoshop. As you can observe, even a recreational photographer just like you will be able to capture expert looking photos. With the help of Adobe Photoshop, you'll be confident to make your photos look as if they were captured by an expert photographer. - 32521

About the Author:

Adobe Software Has Many Types Of Packages.

By Adriana Noton

Adobe software has office in California in the US. Their main objective was to design software for the creative and multimedia areas. However, they have started creating items for the Internet. Their hope is that everyone will enjoy their Internet experience more with this type of packages.

With small software packages in the beginning and then designing more complex ones later they have done very good. In fact many of their titles are used to design web sites. Since their software has so much to offer many companies consider them to be a standard product in their business.

To add to their popularity they created software for photo editing and creating. With a great computer and this software you could create what was needed. Many companies switched to their software for more creative tools. This was especially true for companies that spent all their time creating.

Print shops, t-shirt shops, really anyone needing to create something used their different types of titles. This cheap software can create many different things including separating individual colors. This is used in most offices throughout the world, more specifically print shops.

These software titles they make are great but will cost quite a bit of money to own. Anyone can use their trial program to see if you like it before you buy it. Designers and companies in that field use the software more than others. If you need a tutorial to learn how to use it you can get it from their web site for free. None of their packages come with instruction manuals that show you how to use them.

Adobe is used by most movie companies to alter music, add sound or clip together images. You can burn a Blu-ray or create home movies. The large package allows a person to create any thing you can think of. However those large packages can cost a lot of money.

Anyone surfing the net usually run into one of the products made by Adobe. Their PDF files have become the way to share documents that you don't want altered. People send and received these type of files all the time. Aside from creative measures, many offices use their office products to help them.

Adobe offers Flash, Dreamweaver, Photoshop and many more types of packages. With these packages you could create moving designs to use on any web site or in any presentation. These have the ability to build an impressive presentation you could impress your boss or a new client.

They have received many awards for their innovative creations and talented items. The only items that still causes them problems is the charging of their packages. They tend to charge more to US customers than those people in other countries. From a small company to a large company that makes millions is how far they have come. If you are a student you can get these packages at a discount price. This is done so you can learn the packages while you are in school. - 32521

About the Author:

The Illustration Of Craig Zuckerman

By Kerisha Collins

Craig Zuckerman is well known within the fields of Conceptual, Nature and Technical Illustration. This freelancer is based in Scarsdale, New York.

Craig holds over 25 years of experience within this field and his work majors from Health Care advertising subjects. Craig first started out with airbrushing, pen and ink but about 16 years ago, he advanced to the digital mediums.

The elements of his digital knowledge includes 3D, Illustrator, Photoshop and Animation designs. Looking through his portfolio, most of his work is based within medical malpractice law firms, trade journals and advertising agencies.

Spending time creating art for animation and print, the most fulfilling projects for Craig are ones that imply concepts, usually in the form of presentation comps. Recently, he has been building up a "non" medical art portfolio, concentrating on a myriad of subject matters, such as healthcare concerns and finance.

Viewing his portfolio work, he has managed to bring a concept to light including the means of the project within it. There is a wonderful illustration of this called Eyewash, which shows and open eye with a drop of water splashing on it. In these instances, he has identified what the drawing is and the name for it as it a continuous and coherent design.

In 2008, Craig worked on a campaign for DDB Berlin, for their "Funky sunglasses" client. The concept then went on to win a bronze medal at the Cannes festival. One of the two illustrations also got accepted into the Society of Illustrator's Annual Advertising Exhibit.

Craig has had design jobs with many customers and clients within his time and these include Wacoal Sports Science, LifeBrands, Saatchi/Saatchi, Ogilvy Healthworld, Wishbone/ITP, Roche Diagnostics, Grey Healthcare, Revolution Health, Integrated Communications, MedicusNY, Bell LLP, Corbett Worldwide, DraftFCB, DDB, EuroRSCG, RCW-McCann, Commonhealth, Martin and Clearwater.

Craig is continuing to bring his new found designs to the attention of those interested, so if you are one of them, contact him via the website for any information. - 32521

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